Allegorically, within the context of art production, tools, ease of use, and general understanding (via the proliferation of knowledge) are all factors which are shifting the paradigm from a consumer-based economy to a producer-based economy. This unmistakeable paradigm shift is the first step in stripping industry from the idea that there is a consumer base for anything! It is to my mind that there are fewer and fewer consumers in the world as production is becoming a maxim for society. Memes including "be the change you want to see in the world" are ubiquitous amongst social networks, and could be cited as one of the many influences leading to such behavior.
Once again referencing the ideal of dissipative systems, as more artistic content is flung (either vicariously or cautiously) into the shared informational network, more jewels will inevitably forge just as more garbage will collect. The fact here is that, increasingly, individuals are creating such content (albeit more garbage than jewels), NOT larger companies.
If you have managed to make it to this point in my relatively esoteric diatribe, I applaud you; but what I'm going to propose next might be a bit extreme (as even I consider it so). Firms, companies, traditional factors of both material and intellectual production must, if they are concerned with the comparatively trivial matter of monetary success, abandon all stock in intellectual property. The amount of consumers willing to and able to be tricked into buying into whatever it is a firm might have to sell is going to dwindle--quickly. The future will hold a fruitless endeavor for all who hold complete stock in the one file that will make them a fortune on it's own.
As society elevates to a more developed frame of consciousness, the selectivity and proliferation of ideas will push firms to the edge of productive capacity. You, the reader, might find this perspective to be resourceful in determining how your own ideal work will fit into the larger contextual frame of society, and in turn the universe.





